
-Asuhh Dudes?
G-rex lit the fire, opening with the heavy bass bangers reverberating off the Crofoot Ballroom
walls. The mosh pit understood the assignment while riddim encased trap beats, quickly lifting
those up that got knocked down. Mixing trap with dubstep and riddim, G-rex increased the
volume while trippy graphics flashed sporadically across the crowd. A sample of Kendrick
Lamars famous song “Humble” was featured amongst the thundering wubs. At one point he took
a shot of liquor in between songs, almost seeming to signal a heavy bass beat drop. We even
heard a gun cock and shot transition as well, which was then proceeded by absolutely deafening
bass. As the wubs increased, so did audience retention. The roaring crowd persisted with that
same energy and continued on to mosh in between songs and breakdowns. G-rex, hailing from
our very own Detroit Michigan, was indeed a sight to see.

-How many Asuhh Dudes does it take to screw in a lightbulb?
Getter is an American music producer/artist, rapper (known as Terror Reid), entertainer, and let’s
not forget- an internet meme sensation/comedian. During the 2010s, Getter gained traction when
he signed to Datsiks Firepower Records, and shortly afterwards to Skrillex’s label OWSLA.
Getter also rose to fame via his “Asuhh Dude” videos on Vine, which was a short-form video
sharing app that preceded Tik Tok in the 2010’s. He is very famously known for producing and
collaborating on many of rap groups $uicideBoy$ tracks as well.

On May 1 st 2026, Getter was heard on the microphone screaming that he asked the uber driver on
the way there if Michigan liked $uicideboy$, quoting said driver; “Trust me. Play that shit”.
$uicideboy$ was then played numerous times throughout his set at the Crofoot Ballroom in Pontiac Michigan, each time with the crowd absolutely losing it and rapping along. The audience
didn’t miss a single word, nor did they resist headbanging over the rail.

Slightly further back, we saw the pit proceeding to nearly split their own heads open against each
other during his classic track “Head Splitter”, and rightfully so. A balloon even popped within
the crowd’s body slamming. Getter’s deathcore font logo accompanied with glitching skulls
graphics flashed behind him, giving a horrorcore vibe and aesthetic amongst the riddim drops
and hints of trap beats. A sample of Lil Waynes famous song “A Milli” preceded an eardrum
shattering riddim drop breakdown and of course, the crowd absolutely lost their minds. And
maybe even their hearing too. Another popular track sample from “Miss the Rage” was
incorporated into the set, which was a fire choice. After asking the crowd “where my old school
ravers at?!” Getter switched up the vibe with his song “Mikichan 3.5”. Not too long after, heavy
bass tracks that he produced featuring Ghostemane’s rap-metal sound were also spun, nearly
bringing the entire venue down. I had never heard such vociferating lyrics and bass where it
vibrated every hair on my body.

So how many Asuhh Dudes does it take to screw in a lightbulb? I’m not sure. But what I do
know for sure is that Getter and his audience almost pulverized the Crofoot, and it was definitely
lit my dudes!

